This selection features a range of standalone time-based works situated between video installation and film, some collaborative, some not. Most are based on motion captured sequences. When a project affords me the artistic freedom, I do not follow the cinematic conventions often associated with 3D computer animation, nor its pursuit of realism or popular forms of stylization. Instead, I explore rhythm, flow, and transformation inspired by human and biological movement. These works are more closely aligned with dance film, inspired by painterly and sculptural processes as well as the generative power of movement in itself. Working with motion capture, I see motion data as a found object of sorts, movement stripped off embodiment, with a potential of manifesting infinite number of ways.