This selection features a range of standalone time-based works situated between video installation and film, some collaborative, some not. Most are based on motion captured sequences. When a project affords me the artistic freedom, I do not follow the cinematic conventions often associated with 3D computer animation, nor its pursuit of realism or popular forms of stylization. Instead, I explore rhythm, flow, and transformation inspired by human and biological movement. These works are more closely aligned with dance film, inspired by painterly and sculptural processes and emphasizing movement as a generative force. Working with motion capture, I see it as a found object of sorts, movement stripped off embodiment, with a potential of manifesting infinite number of ways.